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ART

MOVEMENTS

pointillism
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POINTILLISM

(ca. 1880 )

  • This is the practice of applying small strokes or dots of colour to a surface so that from a distance these dots visually blend together.

 

  • The technique is often associated with the designers Georges Seurat and his student, Paul Signac.

 

  • Pointillism is often considered to be a part of the Post-impressionist movement.

 

  • While Impressionists used small dabs of paint as part of their technique, Pointillism took this to the next level using only small dots of pure colour to put together an entire painting.

CHARACTERISTICS OF POINTILLISM 


 

  • Unlike some art movements, Pointillism has nothing to do with the subject matter in the painting.

  • The type of person or characters  used are not of importance.

  • The aim is to simply capture an image by combining a series of properly organized dots.

  • It is a specific way of applying the paint to the canvas.

  • It is a way of colouring using wet or dry medium. (paint, crayon etc.)

  • In Pointillism the painting is made up entirely of small dots of pure color.

  • The pure colours would consist of:

Red

Blue

Yellow

These are called the primary colours, and they are used to make other colours, such as: Purple/ violet, Green & Orange.

  • The pure unmixed colour directly on to the picture and relies on the eye of the viewer to mix the colours visually/ mentally, this is called Optical Illusion

  • This tricks the eyes of the viewer making them think that the colours are blended together.

Art Nouveau
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ART NOUVEAU

(1890-1910)

  • Art Nouveau translates to the phrase  “New Art,” this was an attempted to create an authentic movement that would be free from the imitation of other art styles before it.

  • This movement was heavily influenced the following types of art making approaches:

 Applied arts, Graphics, and Illustration.

  • This focuses on the representation of the  natural world.

  • The designs often show long continuous curvy lines and curvy figures.

  • Art Nouveau influenced the creation of the Pop Art style. Though some artworks look similar to Art Nouveau, they are not the same.

  • Art Nouveau has light, soft, and pale colours; but Pop Art has extremely bright colours, imaginary characters, and decorative text.

CHARACTERISTICS OF ART NOUVEAU 

 

  • The artworks often consist of:

  • flowers,

  • stalks,

  • buds,

  • vine tendrils,

  • insect wings,

  • organic forms,

  • vertical lines, 

  • stylized flowers,

  • leaves,

  • roots,

  • buds, 

  • blossoms,

  • seedpods,

  • elegant designs, and

  • united flowing natural forms.

  • Mostly female subjects, who were often designed in a pre-Raphaelite pose with long, flowing hair.

  • Exotic woods

  • Yallery scenes-

(Fairy like in nature/ Fairy-like Spirit.

  •  Decorative patterns placed on furniture, flooring and other surface structures.

  •  Glass

  • Silver

  • Semi-precious stones

  • COLOURS:

(A lot of greenery scenes)

Mustard,

Sage green,

Olive green,

Brown 

Lilac,

Violet,

Purple,  and peacock blue.

These artworks were often done in the form of:

  • A furniture 

  • Jewellery

  • Poster

  • Glass

  • Ceramic piece

  • Book Illustrations

  • and an Architectural design.

Impressionism part 1
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Impressionism part 2
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IMPRESSIONISM ART

(1865- 1885)

 

The Impressionism period was a time when some artists thought of the idea, for them to create artworks that were a record of the outside setting and environment during a specific time. The time frames selected to paint would be a moment in which we are able to see many colours and reflections of light on a surface area, in the sky, on the rivers, buildings and the sea. So, this was their attempt to represent natural light.

At this time the artists abandoned the traditional colour palette of muted greens, browns, and greys.

Though their style of artworks were rejected by galleries, because they were considered to be unfinished by art critics, this made them start a new movement titled the Impressionism movement that many artist of our current society follow.

CHARACTERISTICS OF IMPRESSIONISM

 

  • Instead they used lighter, sunnier, more brilliant colours to paint with.

  • They began by painting the play of light upon water and the reflected colours.

 

For example:

  • Rivers,

  • The sea,

  • The sky

  • Early mornings,

  • Late evenings,

  • Night scenes, which also

  • Showed the ripple effect of light on surfaces and in nature.

  • The artworks did not show the use of black and grey shadow tones as how we would expect in a realistic drawing or painting.

 

  • They moved away from realistic appearances.

 

  • The visual artists manipulated the use of colour, tone, and texture.

  • Use of flat colours.

  • Focused on surface texture.

  • Less realistic in terms of the characters  and the outside environment which were painted.

  • Broken colours.

  • Contrasting colours

  • Complementary colours.

  • Blurred outlines or no clear outlines.

  • Shimmering colours.

  • Vibrating brush strokes or lines.

  • Outdoor settings, places or conditions.

  • Less formal and more casual paintings, which presented everyday people and the outside environment.

  • Painters used paint as they were directly from the tube.

  • The impressionists had to paint quickly, so they could capture the light in nature.

  • The paintings showed:

  • Landscapes,

  • trees,

  • houses,

  • town / urban street scenes and railroad stations.

  • weather conditions

  • The speed of the Impressionists' painting technique forced them to sacrifice accurate line and detail in favour of atmospheric effect.

  • Impressionist compositions were strongly influenced by the development of photography and the discovery of Japanese woodcuts.

The Salon de Paris

  • During the 19th century, the Académie des Beaux Arts was the pillar of the French artistic establishment and it held an annual open exhibition at the Salon de Paris. The jury of the Académie saw itself as the protector of the artistic traditions of its day and upheld these by controlling the standard of paintings that were accepted into the Salon exhibitions. Any new work that challenged their standards was rejected and many of the young innovative Impressionist painters of the day frequently found themselves excluded from this mainstream exhibition.

As a result, the painters who were rejected were labelled as the "impressionists". At the time the name impressionist was an by insult instead of a compliment. 

The visual artists who were reject by the judges, curators and gallery owners at the "Salon de Paris" hosted their own art exhibition called "Salon des Refusées".

 

The "Salon des Refusées" art exhibition presented a variety of artworks  within a public environment which attracted a larger audience than the "Salon de Paris". The audience who attended the "Salon des Refusées" had a more positive reaction towards the various paintings, sculptures and creative expressions displayed by the visual artists.

The slideshow below shows a few paintings that were made during the time frame of the Impr
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The slideshow below shows a few paintings that were made during the time frame of the Impressionism art movement.

Post impressionism
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Post impressionism repeat. part 2
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POST- IMPRESSIONISM

(1885–1910)

  • Post Impressionism is not acknowledged as an established art movement.

  • The reason for this is because the Visual artists did not have a specific technique, style, concept or material that they used to make their artwork.

  • The visual artists at that time wanted to move away from the quick approach of painting and representing the variety of colours that are seen in environment during a specific time of the day or night, hence, the name Post Impressionism.

  • The term post means after. Now after the impressionism time frame a few visual artists contributed to the development of completely different art movements.

  • These individuals are: Vincent Van Gogh, Paul Cézanne, Paul Gauguin and Georges Seurat.

  • Vincent Van Gogh contributed to EXPRESSIONISM.

  • Paul Gauguin contributed to FAUVISM.

  • George Seurat contributed to POINTILLISM and ABSTRACT art.

vincent van gogh
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EACH VISUAL ARTIST mentioned above worked on their own personalized way of making their artwork.

  • Vincent Van Gogh referenced the impressionist style of artmaking, but he did not focus on the need to capture light. 

  • Instead Vincent Van Gogh was more expressive with using colours that appealed to his mood and the environment.

  • The visual artist used brush strokes of lines to capture every aspect of his artwork, most of which presents the illusion of movement.

  • The visual artist paid keen attention to his colour pallet to ensure that all of his colours were visually appealing and complements the entire composition of the artwork.

  • Within the artworks of Vincent Van Gogh, his artworks clearly showed the capturing of a certain mood or emotion.

  • The end product of Vincent Van Gogh's paintings seem as if they are a combination of the Impressionist and the Fauvist art style.

  • This means that Vincent Van Gogh not only contributed to expressionism, but lead the way for fauvism to be acknowledged as an artistic style of painting.

Gauguin's work can be split into two phases
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Gauguin's work can be split into two phases: phase one was a combination of Cloisonnism, Synthetism and Symbolism; and phase two was a combination of Symbolism, Fauvism, and Impressionism.
 
Despite rebelling against the impressionist style, there are parts of his artworks that referenced the art movement. Paul Gauguin then simplified his drawings, painted bold outlines, shapes, exaggerated, or heighten his colours, painted from memory and worked towards a more expressive style that referenced Fauvism.
 
Even though parts of Gauguin's work referenced the Fauvism style, the characteristics of this art movement were not established until (1900–1935).

Cloisonnism is associated with the jewellery term “Cloisonné”, which is a jewellery technique that has to do with the inlaying of metal surfaces with “enamel colour”. The French term "cloison" means “border”.

Synthetism was linked with Cloisonnism because of its similar use of bright colours, within thick lines that outlined the shapes, characters, and setting of the artwork. Instead of painting the artwork quickly based on what one was able to see, the visual artist made tried to paint more flat images and characters based on memory. This resulted in the artist combining the “setting of everyday real world” with “the dream world”. This is where the connection of the symbolic images fall into place, for example, Paul Gauguin's “Yellow Christ” oil on canvas painting, and “The Vision After the Sermon” which shows Jacob wrestling with an angel. 

George Seurat's artistic techniques referenced the impressionist style
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George Seurat's artistic techniques referenced the impressionist style and the pointillism style,, his works of art were also referred by some as Neo-Impressionism.

George Seurat made sketches of the outside environment with individuals within the setting and quickly painted his work to capture the fleeting effects of natural light and colour.

Some of George Seurat's paintings had a sketchy appearance with a strong representation of natural lighting that was very similar to the Impressionist style of artmaking.

Another technique that George Seurat was known for is the use of the Pointillism technique. He would sketch the scenes of the outside environment and bring them home or to his studio to complete the artwork, by carefully arranging different colours of dots within the shape of the drawing. 
 
This is considered as a scientific or technical approach by which colour is mixed by applying a lot of small dots of paint, that presents the illusion of blended colours optically when viewed from a distance.

Fauvism
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FAUVISM

(1900–1935)

 

The word Fauve is French for "wild beast". Fauvism is the use of thick lines and streaks to create an artwork.

Instead of painting characters and the environment as they are in reality, the artist's main focus is to use pure, expressive and contrasting colours to create an artwork.

 

CHARACTERISTICS OF FAUVISM

  • The freedom of not painting things as they appear in nature, for example: a blue or green human figure.

  • They are not confined to representing accurate proportions and perspectives in art.

  • It focuses mainly on capturing the different colours.

  • It is Expressive

  • It is considered as an order of liberation that rejects other disciplines.

  • It represented brown and dark brown humans of African descent.

  • It does not pursue perfection, so it stands out because of its simplicity.

  • The use of long and spontaneous brush strokes.

  • The brush strokes have thick patches that does not make any kind of mixing and blending of colours occur.

  • The Fauvists also tried to avoid the shading of colours.

Here are a few visual artists who contributed to the art movement:

  • Henri Matisse

  • Maurice de Vlaminck

  • André Derain

  • Kees van Dongen

  • Georges Braque

  • Raoul Dufy

Expressionism
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EXPRESSIONISM

(1905–1920)

 

This is accomplished through the distortion and exaggeration of the elements of art.

(lines, colours, shapes, form, values, space, texture)

The visual artist would exaggerate whatever emotion the subject in the artwork is feeling or showing.

The individual within the painting would appear unrealistic or have a fantasy-like appearance.

For most artworks, the visual artist would exaggerate the facial expressions of the individual and use bold colours that would contribute to the mood of the character; for example, if the individual is scared the Visual artist would use colours associated with that emotion, if the person is sad or gloomy the visual artist would use dull and dark colours, and if the individual is happy the visual artist would use bright vibrant colours to contribute to the mood of happiness.

 

The form of the individual or their face would also be exaggerated, if the visual artist is representing a living being.

In other instances, expressionists make attempts to show their personal feelings about the object, subject or environment being painted or made.

 

CHARACTERISTICS OF EXPRESSIONISM:

  • Visible brush strokes.

 

  • Visual movement.

 

  • Unorthodox use of color and distortion of form.

  • Divisionism- (Adjacent dabs of primary colour to create the effect of light).

 

  • Optical mixing- (When small amounts of unmixed colors are placed side by side on a painting or artwork. From a distance, this tends to present the illusion of mixed colours.)

 

  • Juxtaposition- (Two similar or completely different things placed alongside each other).

 

  • Unnatural or unrealistic appearance.

 

  • The colours and shapes of familiar objects change.  Trees, hills, houses, and people are pulled out of shape and take on new, unexpected colours.

Here are a few examples of exaggerated facial expressions.

Cubism
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Cubism

(1907–1914)

 

  • This is the breaking down of an image into simple shapes, even parts that cannot be seen from a single perspective. 

 

  • Instead of presenting the illusion of depth and accurate proportions, the entire artwork is broken up into shapes that appear flat.

  • Has a variety of flat planes.

  • Like a transparent cube, we can see all or most surface areas of the work at a glance. (shows more than one perspectives of an image).

  • The idea of using shapes was influenced by traditional African art.

Here are a few visual artists associated with cubism:

  • Juan Gris

  • Pablo Picasso

  • Georges Braque 

SURREALISM was popularized between 1916 to 1950
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SURREALISM

(1916-1950)

  • Surrealism artworks are about things that are not real.

  • The artworks depict things that cannot happen in real life. 

  • The subject/ characters are influenced by the artist's dreams, imagination, and thoughts about things that does not happen in reality.

  • The artwork present things that happen in the strangest and most unexpected situations.

  • The characters or objects are often in a weird juxtaposition.

  • These artworks often show everyday objects, people, animals and plants in strange ways that do not seem logical.

Pop art was popularized
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Pop Art

( 1950-1960)

  • Pop art was influenced by Art Nouveau. Instead of having extremely light colours with plant based designs, pop art has vibrant colours. 

  • Pop art is an art movement that became popular  during the mid- to late-1950s.

  • The movement usually present imagery from things that are popular among a large group of people across different geographical locations; for example: advertisements, music videos, cartoons, comic books, toys, clothes and other mass-produced objects. 

  • Usually artists painted, drew, or printed imagery of celebrities, comic strips and animals. Andy Warhol and Roy Lichtenstein were two of the most well-known visual artists who practiced the depiction of pop art.

 

Characteristics of POP ART

  • Bright flat colours (shocking).

  • Mass reproduction of the same type of artwork. (Many versions of the same artwork is made over and over again.)

  • Bold block texts (words/ Letters). 

  • Onomatopoeia art.  

(This is when you write a word in the same way it is pronounced, or when the word is drawn based on the noise or sound it makes.) For example: buzz, Zap, Bang, Zing, Zooom, Pow, Kaboom. 

  • Based on popular culture and trends.

  • Reflect current values.

  • Artworks are designed for social media and commercial purposes.

  • Influenced by (2D) two dimensional images.

  • Sharp lines.

  • There was a rejection of abstract expressionism.

  • It used a figurative and at the same time realistic language to express the different cultures and ideas of the contemporary world.

  • Themes were taken from cities, social aspects, magazines, comics, cinema, radio and television.

  • Representing forms that are recognizably derived from life.

  • Repetitive characters and artworks of the same kind.

  • Preferences for social classes, fame, violence, superheroes.

  • The value of the artwork is reduced when there are more of the same type of artwork and the value of the artwork is higher when there is less of the same type of artwork.

  • Designed for a mass audience.

  • Short-term solution.

 

  • Pop artworks can be easily forgotten.

 

  • Aimed at the youth.

 

 

Some examples of pop art that have been recognised worldwide are the following:

  • The cans of Campbell’s soup, which represent American consumerism.

  • Marilyn’s diptych, by Andy Warhol, was a Marilyn Monroe series of photographs, by which one part is in colour and the other fades to black and white.

  • Whaam! By Roy Lichtenstein, which refers to the image of a modern American hero.

  • Girls drowning by Roy Lichtenstein, which referred to broken hearts.

  • I was a rich man’s toy by Eduardo Paolozzi, made from images of ex-military men that had been published in different magazines, to refer to culture, technology and glamour.

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